During my shoot for All Mankind, this quiet corner drew my interest. I struggled with the composition – my gut said it was right but my viewfinder said it wasn't. Eventually I ignored my viewfinder and took it anyway, and I'm pleased I did.
Presumably my difficulty was that nothing in the image was symmetrical, but there are converging lines – the brick wall on the right, the shadow and the angle of the wall on the left, that somehow make it work. Not a life-changing work, but a quiet corner that I like.